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From beloved writing teacher and author of the best-selling Writing Down the Bones: a treasury of personal stories reflecting a life filled with journeys—inner and outer—zigzagging around the world and home again.
Here, Natalie Goldberg, "a writer both energized and enlightened" (Julia Cameron), shares those vivid moments that have wakened her to new ways of being. We follow alongside her mapless meanderings in the New Mexican desert and her pilgrimages to Bob Dylan's birthplace and to Larry McMurtry's dusty Texas ghost town of rare books. We feel her deep hunger while she sits zazen in a monastery in Japan, and her profound loss when she hears of the passing of a dear friend while teaching in the French countryside.
Through it all, she remains grounded in a life informed by two constants: the practices of writing and of Zen. With humor and insight, Natalie encircles around the essential questions these paths compel her toward:Where does this life lead? Who are we?
This is a book to be relished one awakening at a time. Each story is a reminder that no matter how hard the situation or desolate you may feel, spring will come again, breaking through a cold winter, bringing early yellow forsythia flowers. And the Great Spring of enlightenment—that sudden rush of acceptance, pain cracking open, obstructions shattering—will also burst forth.
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- Sales Rank: #114422 in Books
- Published on: 2016-02-02
- Released on: 2016-02-02
- Original language: English
- Number of items: 1
- Dimensions: 8.80" h x .70" w x 5.70" l, 1.25 pounds
- Binding: Hardcover
- 224 pages
Review
"Natalie Goldberg is one of the world’s most beloved writing teachers, a mentor who has inspired millions to take up the pen and write. Here, in The Great Spring, a collection of her best short essays on food, family, writing, painting, meditation, travel, love, loss, death and enlightenment, she follows her own sage counsel, writing her way toward an understanding of what it is to be fully alive."—Ruth Ozeki, author of A Tale for the Time Being
"No one writes about Zen and writing and being human with more honesty, verve, and punch than Natalie Goldberg. Now in the fullness of her Great Spring, she tells, with more vividness and wisdom than ever before, stories from her life illuminated by the Zen teachings and practice that have informed it. I promise you will be, as I was, enthralled from the first page to the last. This may be her best book yet!"—Zoketsu Norman Fischer, author of Experience and What is Zen
"The Great Spring is a book about writing, about meditating, about traveling, about wondering and wandering, asking essential questions, searching for answers and yielding delightful and pertinent revelations. Only Natalie Goldberg can make this all come together with her patented clear and powerful prose."—Lee Gutkind, editor of Creative Nonfiction magazine and author of You Can’t Make This Stuff Up: The Complete Guide to Writing Creative Nonfiction, From Memoir to Literary Journalism and Everything in Between
"Goldberg writes observantly, with a direct simplicity. She gently catches your eye while piercing the soul. To read her is to invite your own transformation."—Jonathan Odell, author of Miss Hazel and the Rosa Parks League
"At times rhapsodic at others profound, Natalie Goldberg delivers her heart in The Great Spring. She’s courageous to bring us this great ride through her life."—David Chadwick, author of Crooked Cucumber
“The Great Spring is a wonderful jaunt through a woman’s life. What a solace it is to know there is a smart, stubborn, outspoken human being in the world who is obsessed with figuring it all out. After reading Natalie Goldberg’s The Great Spring, I felt a stirring; something curious, nostalgic, and something I’d sorely missed: There is hope for all of us.”—Tom Spanbauer, author of I Loved You More
About the Author
NATALIE GOLDBERG is the author of fourteen books, including Writing Down the Bones, which has changed the way writing is taught in this country. She teaches retreats nationally and internationally. She lives in New Mexico.
Most helpful customer reviews
31 of 32 people found the following review helpful.
Obstructions Shatter
By Dave English
The author of the excellent Writing Down the Bones: Freeing the Writer Within (Shambhala Library) and several other books pens a thoughtful look back at decades of Zen training. It’s good. But it’s a book about a person who sits a lot of meditation, not a book about writing or a full autobiography. The writing, word after word, is wonderful. Sparse yet meaningful. Original thoughts on timeless truths.
Too bad there isn’t more of a story arc here, or thoughts on writing. It’s partly a collection of previously published articles, and sometimes it shows. The title refers to enlightenment, coming alive after the frozen winter. “Obstructions shatter. Pain cracks open. The previously resisted truth releases. An acceptance of transiency flows through.”
The author says that compared to Bones, this is “a more mature knowing, saying in an even clearer, more experienced what is important.” And it is. For people who enjoyed Bones, or have sat a lot of Zen, her words will resonate. It’s a worthwhile trip around Zen centers in Japan and the States. A well-written well-developed meditation. For others, I’d try Bones or some other books first. Oh, and it includes some wonderful poems.
Often I ask:
Was it worth it
To dedicate yourself so completely?
The answer
No
Then I remember:
I saw inside the night sky.
(I hope you find this review useful.)
18 of 19 people found the following review helpful.
The Great Spring: Writing, Zen, and This Zigzag Life—a zigzag collection of essays with more zig than zag
By Ohstacy--Blog of Comfort Blogger, WTF: Wheres the Faith on Wordpress
If you are familiar with Natalie Goldberg’s unique voice, you could identify her prose in an anonymous mass of writings. Few writers can mimic her settings and descriptions and execute her succinct style. A teacher and literary luminary, branded for Writing Down the Bones, her lucid writing muse manages to cut the reader to the bone.
The Great Spring, a collection of 22 essays, is no exception. The problem I encounter is that her writing may cut to the bone, but does not dig far enough—into the marrow. It lacks. I am left, though satisfied with intellectual gold nuggets, hungering. I imagine wearing a therapist’s role, notebook in hand, sitting across from Natalie and repeatedly grilling, “That’s all dandy, but how does it MAKE YOU FEEL?”
Though the author has had many relationships, an ex-husband, girlfriends, friends, teachers and students, her writing leaves me with a sense that her life, though complete, successful and robust, has an intimacy deficiency, isolated like a ghost town in New Mexico (her residence). I cannot help but wonder if the emotional isolation is a result of her less than perfect childhood or if this state is a soul searching for nourishment.
In fact, in a portion of The Great Spring, her lack of feelings comes across as a barrage of ingratitude, naval gazing and a lamentable lack of consideration for others. This near sterility parallels her longtime Zen practice, which she presents as a discipline that, at least to me and my "monkey mind," is painfully rigid. And, to top it off, with no particular theme or order, her essays are presented as a jumbled hot mess.
However, even after considering all this, The Great Spring is redeemed. Ms. Goldberg is bestowed with a maturity, a rare perception, that exemplifies her work and makes it is so yellow-highlighter worthy! Her insights on aging, death and letting go, for instance, tickle the brain to endorphin bliss of no return.
Writing about her mother’s death, she says, “I can’t wrap my mind around her death. It fol-lows me like a ghost. But every time I turn around to look at it, it vanishes. I have a lot of crying to do, but it isn’t coming. Something is over, but I don’t yet know what it is.”
The final chapters mark the point where her fear of intimacy unravels both with herself and the reader. For example, after she describes, ironically, the lack of depth in Palo Alto, California, she writes, “Layer by layer I was pulling off the old protections. Nowhere could I find a foothold to drag myself away to some safe cave. Everywhere I turned was confusion and suffering, inside me and outside me. No difference. I was saying good-bye to all of my old recourses—I could name a dozen right off the top—from just feeling the pain, from settling down into its scratchy nest. Finally there was nowhere to go, no more hiding place, not even Zen.”
Her poetry is the fruit of the vine in The Great Spring. After wrestling with my own writing demons for more than three decades, her book gifted me with the answer I have been seeking particularly for these past five years.
Often I ask:
Was it worth it
to dedicate yourself so completely?
The answer
No
Then I remember:
I saw inside the night sky.
Reading and rereading these two dozen words with my moist eyes, I had discovered my own Great Spring.
19 of 22 people found the following review helpful.
Not really about writing. Or about Zen. The book is about Natalie Goldberg, tout court. Some will like this. Others won't.
By Worddancer Redux
This is not actually a book about writing. Nor it is really a book about Zen. I am interested in both writing and Zen practice, and thus came away rather disappointed. Take away meditation on writing and on.....well....meditation, and I found that very little of what remained held my interest.
A sizable proportion of the essays have been published before. Unsurprisingly, then, the book is less well-integrated or coherent than many of her previous books.
It's hard for me to separate my puzzlement about why some of the essays/chapters were included--I found them neither deep nor insightful-- from my growing discomfort with the author. I found it unpleasant to read a number of the entries, not because I found the writing unartful, but because I found the writer decidedly unlikeable: just a bit too self-focused and.....well....vain. Strange, I thought, given her years of Zen practice.
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